Arms and the Man

Oct 20 to Nov 27
George Bernard Shaw
Sally forth on yon silver steed, sabers drawn; laugh your bloody spats off.

–Alexandra Bonifield, www.criticalrant.com

Arms and the Man
runs Oct 20 through Nov 27
NO SHOW ON THANKSGIVING!
Thursdays 7:30
Fridays & Saturdays 8:00
Sundays 3:00

When an enemy soldier breaks into Raina’s room seeking refuge, her life is turned upside down.  After all, her father is an army major, and her fiance, a dashing war hero.  This charming and funny Shaw tale was first produced in 1894, and has been on Broadway six times since then.

Raina: Cassie Bann
Bluntschli: Mark Shum
Catherine: Emily Scott Banks
Louka: Morgan McClure
Officer: Brandon Simmons
Nicola: Dwight Greene
Maj. Petkoff: Jerry Russell
Sergius: Samuel West Swanson

Emily Scott Banks

Work at Stage West includes: Hermia in Dead Man's Cell Phone, Stiffy in The Code of the Woosters, Matilde in The Clean House, Angela in Right Ho, Jeeves, Ata in Criminal Hearts, Kitty in Taking Steps. 

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Cassie Bann

Work at Stage West includes: Gladys in The Skin of Our Teeth, Puppeteer in The Long Christmas Ride Home.
Work outside Stage West includesThe Madness of Lady Bright (One-Thirty Productions), 

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Dwight Greene

Work at Stage West includes:  Shopkeeper/Uncle Percy in Jeeves in the Morning, Master Simon/Commissioner/La Merluche in The Miser, Sir Watkyn Bassett in The Code of the Woosters, Neville in Season’s Greetings,

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Morgan McClure

Work at Stage West includes:  Louka in Arms and the Man.
Work outside Stage West includes:
  Novel Woman in A Most Dangerous Woman (Echo Theatre), Witch 1 in Macbeth, Audrey in As You Like It (both Trinity Shakespeare Festival), 

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Jerry Russell

Work at Stage West includes: President Smith in November, Harpagon in The Miser, Bohr in Copenhagen, George Antrobus inThe Skin of Our Teeth, Mr. Lockhart in The Seafarer, Selsdon inNoises Off, Tupolski in The Pillowman, Philip in Relatively Speaking, Geppetto/Fire Eater in Puppet Boy,  

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Mark Shum

Work at Stage West includes: Boko in Jeeves in the Morning,Clown in The 39 Steps, Reg in The Norman Conquests, Gussie Fink-Nottle in The Code of the Woosters, Garry/Roger in Noises Off (Best Actor Award), Hal in Loot.  

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Brandon Simmons

First appearance at Stage West.
Work outside Stage West includes:
  Shane in The New Century (Uptown Players), Assistant to the Director for Spring Awakening, Wally in Our Town (both WaterTower Theatre), 

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Samuel West Swanson

Work at Stage West includes:  Sergius in Arms and the Man.
Work outside Stage West includes:
  Self/Patton/Kevin/Kurt Vonnegut in So It Goes:  Three Tales of Three Writers, Valentine in Arcadia, Old Man Strong/UFC Executive in Urinetown (all University of Arkansas),

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Director - Jim Covault
Production Stage Manager - Peggy Kruger-O'Brien
Technical Director - Jason Domm
Production Assistant - Sally Steele
Set Design - Jim Covault
Costume Design - Michael Robinson/Dallas Costume Shoppe
Lighting Design - Michael O'Brien
Props/Set Decor - Lynn Lovett
Scenic Painters - Jon R. Kruse, Justin Rhoads

Jim Covault

joined Stage West in its first season. He has directed The 39 Steps, The Lonesome West, Noises Off, The Clean HouseThe Pillowman, The Immigrant, Puppet Boy, (more)

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Jason Domm

is happy to have returned to Stage West after working on several sets as a stage carpenter during the 1980s. He has been working in technical theatre since 1977 when (more)

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Peggy Kruger-O'Brien

joined Stage West as Stage Manager, and has since added Company Manager to her title. She has stage managed most of the shows since her arrival at Stage West, and has assisted with costume design for several shows,    (more)

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Jon R. Kruse

In 40 years in “the business” Jon has acted in nearly 100 roles; he was seen at Stage West in Foxcodd and Major Barbara.  Jon has performed at Casa Manana, Circle Theatre, Contemporary Theatre of Dallas, Ft. Worth Theatre,    (more)

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Lynn Lovett

has been associated with Stage West since 1989, working originally in development and box office. She has provided props and set decoration for such memorable sets as    (more)

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Michael O'Brien

has been the theatre's resident lighting designer for the past twenty-eight seasons.  Mr. O'Brien has held positions with Irving Arts Center, Lyric Stage,    (more)

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Justin Rhoads

First worked with Stage West in 2007 as a design assistant for Nice People Dancing to Good Country Music, Stones in His Pockets, and The Pillowman.    (more)

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Michael Robinson

is the owner of the Dallas Costume Shoppe, which has designed and provided costumes for many area productions over the years, including Stage West’s Jeeves in the Morning    (more)

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Sally Steele

has just begun working with Stage West, most recently as Assistant Stage Manager and crew member forJeeves in the Morning.   (more)

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George Bernard Shaw was born in Dublin in 1856. His father was a failed grain merchant and a drunkard; his mother a professional singer who left her husband and moved to London when Shaw was fifteen. He remained in Dublin with his father, completing his schooling, which he hated, and working as a clerk for an estate office. In 1876 he went to London, joining his sister and mother, and did not return to Ireland for nearly thirty years.  He began his literary career by writing music and drama criticism, and novels, without much success. In 1884 he joined the Fabian Society, serving on its executive committee from 1885 to 1911.

A man of many causes, Shaw supported abolition of private property, radical change in the voting system, was a defender of women’s rights, and campaigned for the simplification of spelling and the reform of the English alphabet.  In 1891, Shaw wrote his first play, Widower's Houses. For the next twelve years, he wrote close to a dozen plays, though he generally failed to persuade the managers of the London Theatres to produce them. A few were produced abroad, and several were presented in single performances by private societies.  In 1904, Harley Granville Barker took over the management of the Court Theatre on Sloane Square. Over the next three seasons, Barker produced ten plays by Shaw (with Barker officially listed as director, and with Shaw actually directing his own plays).

For the next ten years, all but one of Shaw's plays (Pygmalion in 1914) was produced either by Barker or by Barker's friends and colleagues. In 1925 he was awarded the Nobel Prize for Literature. Shaw accepted the honor but refused the money.  In 1898 Shaw married Charlotte Payne-Townshend, and he remained with her until her death, although he was occasionally linked with other women, notably the actress Mrs. Patrick Campbell. He wrote over 50 plays, continuing to write into his 90s. He died at Ayot St. Lawrence, Hertfordshire, on November 2, 1950, from complications following a fall from a ladder.