Q: Having worked on last season’s production of Stupid F*cking Bird must have been highly informative in regards to approaching this season’s production of Life Sucks., both being a part of Aaron Posner’s Chekhov cycle. In your experience of directing both, what do you find are the similarities between these two productions, and what differences can audiences expect?
A: Both Stupid F*cking Bird and Life Sucks take place in the same world - in fact we even decided for our purposes, they were on the same lake, and the characters were likely neighbors or acquaintances. Both plays very much have the same voice and specific sense of rhythm that Aaron Posner brings to his writing. That said, the overall storyline of Bird lived in the element of the air, and was a bit more about youth and early adulthood; whereas Life Sucks is more of the earth, and deals more with the places in middle life. Both very much blend absurdity and heartbreak in a delicious cocktail, and both works invite and include the audience in writing the journey of the show - which makes the audience both necessary and culpable. We also made the conscious choice to not only include Easter eggs in both for those who know the Chekhov source material well, but to carry over little touches from Bird to Life Sucks - not essential for full enjoyment, but a little delight for those who have seen both.