Emily Scott Banks

Work at Stage West includes: Jacob Marley’s Christmas Carol (twice), Charlotte in The Real Thing, Catherine in Arms and the Man, Hermia in Dead Man's Cell Phone, Stiffy in The Code of the Woosters, Matilde in The Clean House, Angela in Right Ho, Jeeves, Ata in Criminal Hearts, Kitty in Taking Steps; as director: Ada and the Engine, Life Sucks., Stupid F*cking Bird, The (curious case of the) Watson Intelligence.
Work outside Stage West includes:  Agatha in The Moors (Theatre Three), Angel/Angels in Angels in America, Parts I and II, Emma Brookner in The Normal Heart (both Uptown Players), Lyubov in The Cherry Orchard (The Classics Theatre Project), Gabriella in Boeing Boeing,  Miriam in Ghost-Writer (both Circle Theatre), Mrs. Van Buren in Intimate Apparel,  Mrs. Frank in The Diary of Anne Frank, Mrs. Gibbs in Our Town, Lotty in Enchanted April, (both WaterTower Theatre), Adriana in Comedy of Errors, Rosaline in Love's Labours Lost  (both Shakespeare Dallas), George Elliot in A Most Dangerous Woman (Echo Theatre).